Bon Voyage! Queen Elizabeth and the Linley marquetry artwork

Queen Elizabeth's viewing point

  

View of Grand Lobby with Linley marquetry panel

There were so many articles written about Cunard's very successful naming ceremony for the Queen Elizabeth on October 11th 2010 that I was hesitant to add another from MiArtStudio. However, since I've covered the genesis of the Linley Art Deco marquetry panel in a series of posts, I'll share a few final images courtesy of Cunard. You'll find many more of these images, as well as a few videos, on the Cunard website and on Alastair Greener's 'We are Cunard" blog.

Queen Elizabeth views the Linley marquetry panel

  

Queen Elizabeth Views The Linley Marquetry Panel

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The completed Linley Art Deco marquetry panel

  

The completed Linley marquetry panel

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This has been a fun project to report on. I couldn't have dreamed up a better story for making the point that marquetry has a reputation for being "the art of Kings" and of Queens...

Craig Thibodeau's Art Deco Chess Table

Craig Thibodeau in his studio

Craig Thibodeau grew up around woodworking and enjoyed it as a hobby. He earned a degree in mechanical engineering and started a career in industrial product design. However, after his children were born, his hobby became a home-based vocation and his workshop became a professional studio.

A series of specialized courses

To intensify and deepen this transition he immersed himself in a series of specialized courses, such as:

• Advanced marquetry and veneering with Paul Shurch
• Hand applied finishes at the College of the Redwoods
• Traditional French Marquetry with Patrick Edwards
• Compound Bending with Brian Newell

This is part one of a two-part post

In this first part I'll focus on a few Ruhlmann-inspired Art Deco furniture pieces. I spoke with Craig after I made my last two posts: 'Rodney Black's Art Deco vision for Lady Christine IV interiors'; and 'Emile-Jacques Ruhlmann: genius of Art Deco' . Since I was planning to do a post on Craig's marquetry-enriched furniture designs, he suggested that I start with a few of his Art Deco tables and accessories.

As Silas Kopf pointed out in my last post:

"The man who has had the greatest influence on designer-craftsmen of furniture in the last 100 years is undoubtedly Jacques-Emile Ruhlmann"

One fine example of this is Craig Thibodeau's Art Deco Chess table

  

  Art Deco Chess Table

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For more images and information about this topic click on the button below

Emile-Jacques Ruhlmann: Genius of Art Deco

      

Jacques-Emile Ruhlmann

 "The work of Émile-Jacques Ruhlmann (1879–1933) epitomizes the glamour of the French Art Deco style of the 1920s. Aesthetic refinement, sumptuous materials, and impeccable craftsmanship place his work on a par with the finest furniture and decorative arts of any era. The most renowned designer of his day, Ruhlmann could provide any element needed for an interior, from the furniture to the lighting, ceramics, carpets, and textiles. This retrospective examines all aspects of the legendary designer's career, augmenting the Metropolitan Museum’s own significant holdings of Ruhlmann’s works with major loans from public and private U.S. and international collections. The exhibition also provides a unique opportunity to see the best of Art Deco."

[Text from the introduction to the 2004 Ruhlmann: Genius of Art Deco exhibit at the Metropolitan Museum of Art, NYC]

There are many wonderful resources for getting to know more about Jacques-Emile Ruhlmann and the Art Deco movement. You can find links to several of them below: 

1.  Art Deco Complete by Alastair Duncan
2.  Art Deco Furniture: The French Designers by Alastair Duncan
3.  The Ruhlmann website created by Frank Pollaro as a tribute to his mentor
4.  Ruhlmann: Genius of Art Deco  exhibit at the Metropolitan Museum of Art in 2004
5. A Marquetry Odyssey by Silas Kopf ('Art Deco' on Page 144  and 'Jacques-Emile Ruhlmann' on page 145 )

Ruhlmann Pavilion at 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes

"The man who has had the greatest influence on designer-craftsmen of furniture in the last 100 years is undoubtedly Jacques-Emile Ruhlmann" writes Silas Kopf. "He stood in a long line of great French decorative artists and led the way with innovative ideas, energetic designs, and uncompromising quality. He was a compete decorateur, providing clients with a total look for the interior."

Silas Kopf - page 144 of A Marquetry Odyssey

Sideboard: Meuble De Char (1922) Jacques-Emile Ruhlmann

For more images and information about this topic click on the button below

Rodney Black's Art Deco Vision For Lady Christine IV Interiors

Owners Lord and Lady Laidlaw commissioned Feadship companies Royal Van Lent Shipyards and DeVoogt Navel Architects to design and build their new superyacht 'Lady Christine IV'.

Lady Christine IV

Rodney Black Design Studio's first superyacht commission

Lord and Lady Laidlaw commissioned British designer Rodney Black, principal of the renowned architecture, interior design and landscaping firm Rodney Black Design Studios, to lead the interior design team. Rodney Black worked very closely with the owners, Irvine and Christine Laidlaw and Royal Van Lent to assemble a formidable team of crafts-based specialists. These included: Van Der Loo (Feadship's joinery company); Struik and Hamerslag (yacht cabinetry); Bill Cleyndert and Company Ltd (joinery and bespoke furniture); and ARYMA (marquetry design and fabrication).

Extraordinary levels of fine detailing and finish throughout

[Main panels with Mother-of-Pearl, framed in cherrywood with ebony mouldings and amboyna panels, 
criss-cross ebony inlay columns topped off with a Deco shell capital in gold leaf]

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Monaco Yacht Show

I spoke with Rodney Black at his studio in England a couple of days before he joined Lord and Lady Laidlaw at the Monaco Yacht Show, where they showcased 'Lady Christine IV' to an invite only audience. He sent me these high-resolution images along with some images from his site. I am also referencing the press release at the Feadship site and my earlier post on this project from the perspective of Howard Sansome and ARYMA.

"Our starting point for the interior design was an early rarefied form of Art Deco based on the the 1925 "Exposition Internationale des Arts Decoratifs et Industriels Modernes" in Paris and to a lesser extent, the French luxury liner 'Normandie', whose maiden voyage was in 1935" explains Rodney Black. "This pure modernist expression featured a paired down form of classicism using the most beautiful materials and shapes imaginable at the time."

Art Deco interior with marquetry and inlay as the keynote

Rodney Black went on to explain that the owners' brief was for an Art Deco themed interior with marquetry and inlay as the keynote. They also envisioned four major marquetry art panels: a triptych that portrays the natural and architectural wonders of the world; as well as a piece that celebrates the modes of travel that have enabled them to experience these places together.

Bespoke Art Deco Sofa
[Curved joinery and curvilinear inlay of sleigh design sofa]

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A cohesive vision

Rodney Black received this brief and created a cohesive vision for his clients' aspirations. He and his team produced hundreds of drawings, including the initial free-hand sketches for the marquetry art panels. The Laidlaws worked with them, signing-off on each plan. Rodney Black's vision was for the early Deco period's pure modernist expression to serve as a foundation for the Lady Christine's style, clearly referencing the brilliant artwork of designers such as Emile-Jacques Ruhlmann, René Lalique and Edgar Brandt; however, nothing is copied, it's all uniquely designed.

The early Art Deco aesthetic
[Initial inspiration for marquetry motif on door came from Art Deco designer Edgar Brandt's 1925 fire screen]

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The Queen Elizabeth's Linley Marquetry Panel Is Installed

Date set for Queen Elizabeth's naming ceremony

Queen Elizabeth II

The 2.5 deck high marquetry art panel has been installed by LINLEY's craftsmen, as final preparations are being made for delivering the new Queen Elizabeth to Cunard. Cunard's newest ship will sail to her home port of Southhampton, arriving on Friday 8th October. On Monday 11th October, she will be named by her royal namesake Her Majesty The Queen in a grand quayside ceremony.

Second sea trials completed

Below is a photograph of the Queen Elizabeth during her second sea trials just outside of Trieste harbor.

Queen Elizabeth completes second sea trials
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LINLEY's photos of Art Deco marquetry panel being installed on Monday, September 13th, 2010

Art Deco marquetry panel just prior to Installation
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Queen Elizabeth Marquetry Art Panel Being Installed
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Click on the link below to see new photos of the installed panel

Marquetry Artwork Being Prepared For The Queen Elizabeth

The LINLEY artisans are working to complete David Linley's Art Deco marquetry art work so that the panels can be shipped to the Fincatieri shipyards in Monfalcone, Italy, where it is to be installed this summer as the centerpiece of the new Queen Elizabeth's grand lobby.

Artist's rendition of Art Deco Panel

LINLEY's marquetry art work of the original 
Queen Elizabethis 2.5 decks high

To see the artist's rendition of the Grand Lobby and a video interview with Cunard's Alistair Greener follow this 'Read more' link:

David J. Marks - Marquetry Innovator and Teacher

David J. Marks Designer Craftsman 

David J. Marks

Artist's Statement

 "My work expresses a sense of time and mystery. My inspiration is derived from a fusion of styles including ancient Egyptian, African, Art Nouveau, Art Deco and Asian. But essential to all my designs is the attention I pay to fine details.
 After studying art at Cabrillo College in Santa Cruz, I moved to Santa Rosa and began working in cabinet and furniture shops during the 1970s. In 1981, I opened my own Santa Rosa studio and built one-of-a-kind furniture throughout the 1980s. In the 90s, my focus shifted towards wood turning and sculpture."Today, besides my continued work in fine woodworking, I am interested in 
 patination.The patina finish that is a trademark of my work, is a hybrid I’ve developed over the last decade. It combines painting, gilding (metal leafing), chemical patinas, and lacquering techniques. The complex layers result in something that gives the appearance of a faux, ancient, petrified stone quality."

Sculptural Inlay Art

The Queen Mary, Spindler Studio and Bettys Cafe Tea Rooms

Bettys Café Tea Rooms, York 

Bettys Cafe Tea Rooms, York

My recent post about the David Linley marquetry art panel for the Queen Elizabeth reminded me of Paul Spindler's marquetry panels for the Queen Mary and the Bettys Cafe Tea Rooms story...

In 1919, Frederick Belmont, a confectioner by trade, opened the first of his Bettys tea rooms in Harrogate. The blend of Yorkshire hospitality with Swiss culinary precision was a hit and royal patronage soon followed. The tea rooms remain popular today yet have retained the elegance and style of the past. You can still view the Art Nouveau marquetry designs of Yorkshire scenes on the walls in the basement, known as the Spindler Gallery that Belmont commissioned from Paul Spindler of the Spindler studio in Alsace [Charles Spindler (1865-1938); Paul Spindler (1906-1980); Jean-Charles Spindler, Paul’s son, took over the day-to-day operation of the workshop in 1975]. 

Interior design inspired by the Queen Mary cruise liner

 In 1936 Belmont traveled on the maiden voyage of the Queen Mary. He was so enthralled by the splendor of the ship that he commissioned the Queen Marys’ designers and craftsmen to turn a furniture store into his most sophisticated branch yet – an elegant café right in the heart of York, Bettys' York branch.

 

The Art Deco Elegance of the Belmont Room

The art deco elegance of the Queen Mary is particularly evident in the first floor Belmont Room which was based on one of the cruise liner’s state rooms. Today, as you sit in Bettys surrounded by huge curved windows, elegant wood panelling and ornate mirrors, you can almost imagine yourself aboard the historic ocean liner.

 Photos and portions of text courtesy of Bettys Cafe Tea Rooms

 

Cunard and David Linley Honor Queen Elizabeth with Marquetry Artwork

David Linley

Linley's Marquetry Artwork Commission 

Both David Linley and the marquetry traditions of Cunard's Queen Mary and Queen Elizabeth ocean liners are on my blog post topics to-do list. I'm traveling with my family, thus short on time - here's the news, starting with the intro from Cunard's press release and ending with a passage from Sue Bryant's piece for Cruise Critic:

20 May 2010 - Yesterday, in Chelsea near London, Cunard Line unveiled the stunning centerpiece for the Grand Lobby of the Line's newest ship, Queen Elizabeth, debuting this fall. The artwork was specially commissioned to David Linley, son of the late Princess Margaret and the internationally famous photographer Lord Snowdon - and Her Majesty The Queen's only nephew - whose company specializes in the design and creation of fine furniture and marquetry. Linley's magnificent work shows the port bow of the original Queen Elizabeth seen dramatically from sea level, and is intricately executed using the technique of marquetry inlay with nine individual panels made of various types of wood veneers seamlessly jointed to lightweight board.

David Linley and Peter Shanks
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Cunard's Wow Factor 

Queen Elizabeth Art (May 20, 2010, 5 p.m. EDT) -- A fittingly royal touch for Cunard's new Queen Elizabeth was unveiled last night. 

The backdrop to the sweeping staircase descending into the 90,400-ton ship's magnificent Grand Lobby, the first area passengers see on boarding, is going to be an intricate marquetry panel, two and a half decks high, depicting the original Queen Elizabeth -- and designed by master wood craftsman David Linley.

Viscount Linley, whose clients include Oprah Winfrey and perfume magnate Jo Malone, trained in cabinet-making under John Makepeace and founded his design company, Linley, in 1985. He has gone on to become a huge international success, creating exquisite inlaid wooden furniture that comes with a hefty price tag; at the big reveal of the panel last night in Linley's spacious Belgravia showroom, journalists and Cunard executives awkwardly circled a £16,500 table, not quite knowing where to put their drinks down.

So what's the thinking behind the panel? Peter Shanks, president and managing director of Cunard, told the gathering last night: "We needed to fill that space with something which would not just be dramatic, a "wow" factor in an area already full of "wow," but which would also reflect our emphasis on traditional and sumptuous materials."

"Once we had decided on the theme and the medium, it didn't take us long to conclude that no one was better qualified for this detailed but monumental work than the company of the exceptional craftsman David Linley, whose creative ability and mastery of wood is renowned."

Artist's rendering of Art Deco Panel
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 Art Deco Panel in Marquetry
 

The panel is undeniably stunning and will make a superb backdrop for formal photographs. It'll be made of nine wooden veneers, including Indian ebony, American walnut, bird's eye maple and grey ripple sycamore. The finished product will be shipped to the Fincantieri shipyard at Monfalcone, Italy, where Queen Elizabeth is under construction, and assembled over a period of four days.

LINLEY's Chairman, David Linley, who founded the company in 1985, commented: 

"I recall my father saying the interior design of Cunard's Queen Elizabeth 2 made one proud to be British, so I am hoping our achievement on the new Queen Elizabeth will make him -- and others -- equally proud."

As a result, Linley, a company specialising in the design and manufacture of fine furniture and marquetry was commissioned to design and make this stunning centrepiece at the heart of the ship. Work is currently under way, and the completed panel will be shipped during the summer to the Fincantieri shipyard at Monfalcone, Italy, where it will be installed over a period of four days to take pride of place just before the ship enters service in October.